The Medieval Origins of Book Holders
Before writing this article about the history of book holders, we made two observations. First, humans created reading supports very early in our history. Second, despite many of us spending hours reading for pleasure, few people use a book holder daily in their homes.
From the majestic lecterns of medieval monasteries to today’s comfortable Samoussin reading cushion, the history of book holders tells the story of our intimate relationship with reading. These supports, silent witnesses to our literary moments and their uses, have evolved over the centuries to adapt to our changing lifestyles.
The Lectern, Noble Ancestor of Our Reading Supports
True works of art carved in wood, medieval lecterns allowed copying monks to work on precious manuscripts while preserving them. Their ingenious design already offered an ideal inclination to relieve the neck during long hours of reading and copying.
At Aricomagic, we are fascinated by this lineage of objects that have successfully combined functionality and aesthetics through the ages. It is in this spirit that we designed the Samoussin, a contemporary heir to this noble tradition, adding the modern comfort that our reading moments deserve.
The Evolution of Book Holders: Between Tradition and Innovation
From church pulpit to reading cushion for connected devices, book holders have constantly reinvented themselves for our greater comfort...

The history of book holders is intimately linked to the evolution of our reading practices. From monastic lectern to library desk, each era has brought its innovations to improve our reading comfort.
The Democratization of Reading Supports
Over the centuries, reading supports have taken many forms, each responding to a specific use:
- Church lecterns, majestic and vertical, allowing standing reading before an audience, are still used in their modern versions by today’s speakers.
- From the 16th century, with the rise of printing that popularized cookbooks, reading stands also appeared in kitchens. They allowed following recipes without staining the pages of precious volumes.
- 17th-century library desks served to facilitate study and note-taking.
- In the 18th century, we discover increasingly ingenious objects such as Voltaire’s famous mortuary chair at the Carnavalet Museum, with its integrated tablet system combining both reading and writing functionalities.
- In the 19th century, Victorian salon artist easels, combining elegance and practicality, could accommodate both canvases and books or illustrated notebooks.
- It was during this same period that the first domestic reading supports appeared: mahogany table desks, articulated bed supports, small salon easels. These objects reflect a society where reading became an accessible leisure activity. The articulated bed supports of the Belle Époque were precursors to modern comfort. Their design continued to evolve. We admire the version of the Bruno Mathsson Reading Desk Produced by Karl Mathsson in Vrnamo, Sweden. Topped with its lamp, it’s a magnificent collector’s item for which one needs to budget accordingly. We can’t quite speak of democratization here 😉
The Digital Age and Modern Comfort Today
Our supports must adapt to multiple uses: paper books, e-readers, tablets. The challenge is to create versatile objects that respect our body while harmoniously integrating into our interiors.
The Samoussin Book Support: Reinvented Heritage
This long history of book holders inspired us to create the Samoussin. By observing the evolution of these supports through the centuries, we understood the importance of designing an object that is both functional and aesthetic.
The challenge we chose to take up with the Samoussin is to make them useful, practical, and pleasant to both touch and look at.
Innovation in Service of Comfort Our approach combines lessons from the past with today’s needs: adjustable inclination like the lecterns of old, noble and sustainable materials, and a form designed to adapt to all reading formats.
A Decorative Object in Its Own Right Like the carved church lecterns that were true works of art, we wanted the Samoussin to be a beautiful object that one would be proud to display in their interior.